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Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988) |  | Artists: Eva Marton, Plácido Domingo, Leona Mitchell, Paul Plishka, Hugues Cuenod
Label: Umvd Labels
Category: DVD
List Price: $29.98
Buy New: $17.22
as of 3/14/2010 04:51 CDT details
You Save: $12.76 (43%)
New (15) Used (5) from $16.96
Seller: moviemars
Rating:  51 reviews
Sales Rank: 9847
Format: Color, DVD, Subtitled, DTS Surround Sound, NTSC
Languages: Italian (Original Language), Chinese (Subtitled), English (Subtitled), French (Subtitled), German (Subtitled), Italian (Subtitled), Spanish (Subtitled)
Rating: NR (Not Rated)
Region: 1
Discs: 1
Number Of Discs: 1
Running Time: 134 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.4 x 5.3 x 0.6
MPN: 000085209
UPC: 028907305899
EAN: 0044007305898
ASIN: B000094HMU
Theatrical Release Date: January 27, 1988
Release Date: August 12, 2003
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
Showing reviews 1-5 of 51
 Excelent work of all. March 6, 2010
Laurito
The Metropolitan Opera House environment is very good to work this opera. The soprano and tenor work excelent. Orchestra better.
Puccini - What's not to like! February 5, 2010
Morton A. Ohren (Winter Springs, FL United States)
I don't think that I have ever seen Domingo in 'just a fair performance'. As Calaf, he is outstanding, and you don't even have to see the end of the opera to know that he's going to get the girl.
Marton is more than adequate as the titled character and Zeffirelli spared none of the Met's money to put on this lavish production.
Highly reccommended.
Turadot Review December 11, 2009
James R. Schoensee
This is a beautiful and powerful performance. I especially enjoyed that the staging was done by Zefferelli. My wife and I had recently seen the LIVE! at the MET in HD at the State Theater in Traverse City done with the same staging.
Magnificent in all aspects May 7, 2009
Robert Hensley (Knoxville, TN USA)
2 out of 2 found this review helpful
Turandot is the one Puccini Opera that lends itself to the most opulent of settings. Franco Zefferelli is one of the few producer/directors who could fill the expanse of the Met stage with jewels in a setting. Domingo is at the height of his career and Marton is perfect as the icy princess. Kudos especially to Leona Mitchell as Liu and Paul Plishka as Calaf's father, Timur. Incidentally, there are the best Ping, Pang and Pong I've ever heard or seen. Grab your copy before it disappears from any profferings or gets a price like Julia Migenes' "Carmen" of $1,500.00. This production is a must-have for any listener of opera.
 Puccini's Great Unfinished Opera April 24, 2009
Tebes (Niagara Region, ON)
2 out of 2 found this review helpful
For those who are familiar with 'Madame Butterfly' and 'Tosca', 'Turandot' is a considerable hurdle for some opera viewers and lovers. Puccini was the great heir to Verdi, he had established himself with 'Manon Lescaut' and created hits with his verismo works such as 'Il Tabaro' and 'La Boheme'
So why is 'Turandot' a hurdle? First it was left unfinished. Puccini died in November 1924 succumbing to throat cancer. Alfano, under the great conductor Toscanini finished the opera. The composer had left behind sketches and notes for the last act. (When you watch the opera, everything is Puccini until Liu's final aria in Act III, scene 1.) So what begins as Puccini ends as what others believe Puccini wanted. Of course it is excellent, true to form and as good as its going to get. Secondly, despite Calaf's and Liu's moving arias (especially 'Nessum Dorma' made famous by the NFL and 'Moonstruck'), the music is getting closer and closer to the modern styles of Strauss, Berg and the atonal crowd of composers of the early twentieth century. Where before we hear the beautiful motifs of Mimi and Rudolfo, flowing in and out of the music, 'Turandot' offers a musical circus of expressions, medleys, tempos. It is a richer Puccini, diverse, eclectic, multicultural but not as endearing.
In consideration of the performances, I feel strongly it is Leona Mitchell as Liu that steals the show. As an audience we are drawn to the hero because he challenges Turandot, he wants to solve her three riddles and marry, all at the risk of losing his life. Yes, it is captivating and it keeps us bound to the story. But Domingo as Calaf and Eva Marton as the Princess, although we are satisfied with their performance, not completely moved. Perhaps it is the role of Liu but I'm sure, very positive it was Mitchell's delivery - her singing gave me shivers. This also has to do with Puccini's style at the time. When Domingo and Marton are given the chance to sing, they are closer to the modern whereas Liu's arias feel closer to the earlier Puccini most of us know and love. I fell in love with Mitchell's voice.
Domingo's strongest role, I feel is Otello. Here, he is just a little too close to not pulling it off. His 'Nessun Dorma' doesn't have the gravity and power of Pavarotti's. If there were any other weaknesses, it doesn't show until he sings at night about how none shall sleep. Impressive, obviously but it won't shatter through your soul. I still think Domingo is a better actor and his love for the princess is heartfelt.
This opera is a satisfying challenge. The staging is excellent, the sets incredible, all the exotic notes are there, the chorus delivers. Zeffirelli's direction is a must-see. It is a visual splendor matched with a haunting fairy tale story. Well worth the time and dedication to know it but truly, keep your eyes and ears open for Mitchell. She makes this production shine.
Showing reviews 1-5 of 51
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